Latest Tweets:

afrofuturistaffair:

lkrory21:

Drexciya (2012) Trailer

Drexciya (28 Min., Super 16mm, Germany / Burkina Faso 2012) is a short science fiction film by Simon Rittmeier, inspired by the Drexciyan myth

Plot: Thomas works as a trafficker for European refugees that are seeking a better life in Africa. One day his ship sinks and he finds himself as the only survivor washed up on the African shore. He tries to reach the next megacity: Drexciya, an advanced high-tech world. Somewhere in the desert he is stopped by a huge light fence. At the end of his rope a group of young Africans stumble across him: Sisay, Kanchebe and Dylis. After a while they decide to take him along. Yet their mission also seems to be a strange one. They are looking for an almost forgotten place. Lost in the wide desert they come to know each other - speechless, strangers in their own land. More info.

[via Darkfloor / Drexciya Research Lab]

Short film by German filmmaker inspired by Detroit techno legends Drexciya and the Drexciyan myth of an underwater subcontinent populated by the unborn children of pregnant African women thrown off slave ships that adapted to breathing underwater. 

There is also a short film by Ghanaian fillmmaker Akosua Adoma Owusu of the same title,  a post-apocalyptic portrait of an abandoned public swimming facility located in Accra, Ghana

http://www.factmag.com/2013/05/08/detroit-legends-drexciya-serve-as-inspiration-for-german-science-fiction-short/

*1

iamdanw:

Railroad tank car vacuum implosion (by Tom Brattain)

showslow:

Faig Ahmed, Embroidered Space

Faig Ahmed explores composition of a traditional Azerbaijanian carpet by disjointing its structure and placing its elements into open space. With his large-scale piece titled “thread installation”, Faig re-interpreted the traditional carpet materials of his homeland by creating a type of spatial ‘stitching’ with the yarn across the surface of a wall. Speaking about his work Faig says, “I’ve been always fond of investigating and researching every detail of anything that had interested me and sometimes this researches reached inconceivable depths mixing up with my imagination. I’m heretofore harried by a question others have left in childhood – ‘what is inside?. That’s why I’m changing habitual and visually static objects making them spatial, giving them a new depth.and this as if reveals the essence of this object – the object that was mediocre just a minute ago.”

(via azaadi)

*1

How Do You Know if You Are on a Dating Site?

If you are wondering if the site you are currently on is a dating site or not, ask yourself these questions:

  1. Do you enter a unique username/password or other authentication to access the site?
  2. Do you contribute some sort of data to the site based upon your own behavior, other than page view metrics?
  3. Cold you be contacted, harassed, trolled, or advertised to based upon that data?

If the answer to these three questions is “yes”, you are on a dating site. The only question remaining is, “who is dating whom?”

(What’s the point of this? The point is that we used to think of “dating” only in terms of “who is dating whom”. It was something that was agreed to, by your social circle, if not the who and whom. But now dating is something that happens via algorithm, database, and individualized data collection. Dating still can (must?) be about who and whom. But it is also login/password, data trail, and potential for followup.)

Dating, like the networks, is neither good nor bad, nor is it neutral.

blackcontemporaryart:

Wura-Natasha Ogunji
Will I still carry water when I am a dead woman? 
2013

Images: Ema Edosio

"

After learning my flight was detained 4 hours,
I heard the announcement:
If anyone in the vicinity of gate 4-A understands any Arabic,
Please come to the gate immediately.

Well—one pauses these days. Gate 4-A was my own gate. I went there.
An older woman in full traditional Palestinian dress,
Just like my grandma wore, was crumpled to the floor, wailing loudly.
Help, said the flight service person. Talk to her. What is her
Problem? we told her the flight was going to be four hours late and she
Did this.

I put my arm around her and spoke to her haltingly.
Shu dow-a, shu- biduck habibti, stani stani schway, min fadlick,
Sho bit se-wee?

The minute she heard any words she knew—however poorly used—
She stopped crying.

She thought our flight had been canceled entirely.
She needed to be in El Paso for some major medical treatment the
Following day. I said no, no, we’re fine, you’ll get there, just late,

Who is picking you up? Let’s call him and tell him.
We called her son and I spoke with him in English.
I told him I would stay with his mother till we got on the plane and
Would ride next to her—Southwest.

She talked to him. Then we called her other sons just for the fun of it.

Then we called my dad and he and she spoke for a while in Arabic and
Found out of course they had ten shared friends.

Then I thought just for the heck of it why not call some Palestinian
Poets I know and let them chat with her. This all took up about 2 hours.

She was laughing a lot by then. Telling about her life. Answering
Questions.

She had pulled a sack of homemade mamool cookies—little powdered
Sugar crumbly mounds stuffed with dates and nuts—out of her bag—
And was offering them to all the women at the gate.

To my amazement, not a single woman declined one. It was like a
Sacrament. The traveler from Argentina, the traveler from California,
The lovely woman from Laredo—we were all covered with the same
Powdered sugar. And smiling. There are no better cookies.

And then the airline broke out the free beverages from huge coolers—
Non-alcoholic—and the two little girls for our flight, one African
American, one Mexican American—ran around serving us all apple juice
And lemonade and they were covered with powdered sugar too.

And I noticed my new best friend—by now we were holding hands—
Had a potted plant poking out of her bag, some medicinal thing,

With green furry leaves. Such an old country traveling tradition. Always
Carry a plant. Always stay rooted to somewhere.

And I looked around that gate of late and weary ones and thought,
This is the world I want to live in. The shared world.

Not a single person in this gate—once the crying of confusion stopped
—has seemed apprehensive about any other person.

They took the cookies. I wanted to hug all those other women too.
This can still happen anywhere.

Not everything is lost.

"

Naomi Shihab Nye (b. 1952), “Wandering Around an Albuquerque Airport Terminal.” I think this poem may be making the rounds, this week, but that’s as it should be.  (via oliviacirce)

(via wolvensnothere)

*31

"

First, as was rightly pointed out to me here, documenting experience isn’t anti-experience, it is different experience. It is not a removal from the moment but a different sort of immersion, one that can be critiqued or praised, but shouldn’t be mis-identified as “not in the moment.” There is a dangerous sort of moralizing at play here, your documentation is “chatter” and “noise” and I am the worthy arbiter of that.

[…]

There’s much to be said about the proliferation of documentation from more and less critical perspectives, but let’s not treat it as a pathology, and let’s certainly be very skeptical of people who are so comfortable to rank whose (and what) documentation is worthy.

"

nathanjurgenson: Stop Saying Phones Mean Not “Living In The Moment” 

watershedplus:

Formerly one of the four largest lakes in the world, the Aral Sea has been steadily shrinking since the 1960s after the rivers that fed it were diverted by Soviet irrigation projects. Although irrigation made the desert bloom, it devastated the Aral Sea.

From here, here, and there

writersnoonereads:

The Academy of Modern Ruins is repurposing this abandoned gas station on Route 66 as The Philosopher’s Library. Submit a book that’s changed your life. (via invisiblestories)

writersnoonereads:

The Academy of Modern Ruins is repurposing this abandoned gas station on Route 66 as The Philosopher’s Library. Submit a book that’s changed your life. (via invisiblestories)

*22
m1k3y:

Google Street view makes half a cat *wipes tears*

We have no one to blame for this but ourselves.

m1k3y:

Google Street view makes half a cat *wipes tears*

We have no one to blame for this but ourselves.